Montreal post-rock is usually explained as a sound. It is better explained as real estate: an Anglo exodus, a loft above a garage, 500 hand-glued LPs, and two venues opened by a bass player. How Mile End built the infrastructure first.
On Friday morning at Parc Jean-Drapeau, somebody will inflate a very large board and write the day’s set times on it by hand. Until that moment, nobody attending Vans Warped Tour knows who plays when. That is not a logistics failure. It is the oldest working idea in the festival and the reason the thing […]
