Montreal post-rock is usually explained as a sound. It is better explained as real estate: an Anglo exodus, a loft above a garage, 500 hand-glued LPs, and two venues opened by a bass player. How Mile End built the infrastructure first.
Sanremo Rock was born in 1987 in a separate building, with its own presenter and a satellite link back to the theatre. It took 31 years to get inside the Ariston.
Ask a touring guitar band to name the best room they have ever played and a startling number of them, from every scene and every decade, land on the same answer: a former dancehall on Glasgow’s Gallowgate that was never designed for rock music at all. The Barrowland Ballroom was engineered in the 1930s for […]
