Big Star recorded Third at Ardent in 1974, saw it rejected, and watched it appear in 1978 in several versions. Here is why no definitive copy exists.
The Electric Eels played five shows in Cleveland, lost their last venue to a lawnmower, and became a legend through one Rough Trade single and decades of archival releases.
The Room That Was Built for Films Most legends about Hamburg’s Star-Club begin with the Beatles. Start instead with the building. Manfred Weissleder opened the club at Grosse Freiheit 39 on 13 April 1962, and the address was a former cinema. That detail explains almost everything about how the place worked. A cinema is a […
On 29 September 1986, Iron Maiden released Somewhere in Time, and the sleeve promised a machine age: a cyborg Eddie, a neon city, and guitar synthesizers credited on the record for the first time in the band’s career. The detail worth keeping is a smaller one. The song that started life on a synthesizer is […]
In the 1930s, engineers at Bell Labs had a problem that had nothing to do with music. Long-distance telephone calls arrived thin and unnatural, stripped of the small delays and reflections a voice picks up in a real room. Their fix was mechanical: a spring stretched inside a housing, with a transducer at each end. […]
In 1965, the biggest song in Peru was about blowing up a train station. “Demolicion” was a national radio hit, its band had its own television show, and its four members were teenagers from a middle-class Lima neighborhood who had never heard the American garage bands they are now compared to. Outside Peru, almost nobody [&h
On November 2, 1989, a support band nobody outside Olympia, Washington had heard of opened for Tad at a club in Groningen, in the north of the Netherlands. About sixty people showed up. The band was Nirvana, two years before Nevermind, and the room they played had a legal capacity of five hundred. That gap, […]
Released 21 September 1979, Wire's 154 was named after a gig tally, lost its producer mid-mix, hid a solo EP in the first 20,000 copies and ended the band at UK number 39.
Montreal post-rock is usually explained as a sound. It is better explained as real estate: an Anglo exodus, a loft above a garage, 500 hand-glued LPs, and two venues opened by a bass player. How Mile End built the infrastructure first.
The story of the Monks is almost always told as a costume. Five American GIs stationed at Gelnhausen, two German design graduates, shaved tonsures, black habits, a manifesto. It is a great story and it is also the least interesting thing about the record they made. What produced Black Monk Time was not an art […]
